Place started animating Popeye in the 1935 cartoon “Dizzy Divers” (de-facto dir. Willard Bowsky.)
Even in his earlier cartoons, we can see earmarks of his style down the road.
He received his first credit on 1937’s “I Likes Babies and Infinks” (de-facto dir. Seymour Kneitel.)
(Dizzy Divers, de-facto dir. Willard Bowsky)
(I Like Babies and Infinks, de-facto dir. Seymour Kneitel)
(Stealin’ Ain’t Honest, de-facto dir. Tom Johnson)
After moving from unit to unit in the later Fleischer days, Place became a de-facto director in 1943.
While mostly handling other series like Superman or Little Lulu, he still got to oversee some Popeye films.
Place’s animation seems rather claustrophobic, with less emphasis on clarity and more on smooth/overlapping/foreshortened action.
As mentioned in the subtitle of this post, Place tended to draw elongated dot eyes on his characters (maybe the last de-facto director to do that on Popeye consistently.)
(The Marry-Go-Round, de-facto dir. Graham Place)
(Mess Production, de-facto dir. Graham Place)
(The Fistic Mystic, de-facto dir. Graham Place)
Up next: Marty Taras (the Popeye virtuoso)